Few subjects in fishing are simultaneously spoken about with as much authority, marketing, and “Well, I don’t know, but I think it’s worked well enough for me in the past,” dismissal as lure color. And if you, like me, have ever gotten lost during a post-holiday Cabela’s gift card walkabout through the kaleidoscopic menagerie of aisles upon aisles of soft plastics, then you know — no fish species is as subject to the sheer cover-your-basses breadth of options as bass.
There are, of course, the old standby rules: Any lure with white and chartreuse is a surefire shad mimic for clearer water. For the depths, nothing boasts the consistency of a black and blue jig. Muddy water? Toss something black or firetiger to stand out. Somewhere in between gin and chocolate milk? Try watermelon or green pumpkin, but don’t forget the red flakes and hook — unless the bass have been too sensitized to red through some pop lure craze in your area. Then the bleeding gills decal on your crankbait will obviously send them swimming for the hills.
General wisdom shouldn’t be ignored, certainly. However, bass are likely the most studied game fish in North America. We should be able to bring a little more science to lure selection.
So, we sat down with Rebecca Fuller, a University of Illinois Urbana-Champaign professor and founder of the now-defunct app BassVision, who studies how fish see the world — and picked her brain on what, when it comes to lures, makes for beauty in the eye of the bassholder.
In short: The world of bass fishing is dominated by tradition. According to most scientific evidence, many of these rules might be wrong. Many mysteries still remain about bass vision. Nevertheless, taking what we’ve proven about how bass see the world and filling in the gaps with personal experience on what lands them, can be the ticket to more tight lines.
The Variables of Vanishing Shades

Before we look at how bass see color, we need to know what there is to see. Unlike through air, where the light reflected off surfaces can make it to your eye relatively unimpeded, colors can be swallowed by water rather quickly.
Many anglers may have heard that red is the first to go. This is true — in clear water. There, longer wavelengths attenuate the quickest. Past 15-25 feet, depending on water clarity, red light becomes just another shade of gray. Then goes orange, and so on, with shorter wavelength blues and greens holding out past 100 feet of depth.
However, said Fuller, stained and turbid water are not only a different story from clear water, they also affect light differently from each other.
Stained water itself can be quite clear. Picture a cypress swamp with little current or a blackwater aquarium. The water’s coloration doesn’t come from suspended particulates, but usually tannins, Fuller points out. Turbid water, on the other hand, is simply muddy.
In stained water, everything gets red-shifted. The order in which colors attenuate, essentially reverse — often with a quickness. In heavily stained water, says Fuller, “You go even a meter down, and there’s no UV or blue light.”
Muddy water has a similar reversal of the order in which colors attenuate. Although there, it happens even faster. In a river with heavy runoff, for example, even red may not penetrate more than a few feet.
The Science Behind Vision

Variation Sensitivity

Bass Voracity

The Bass Vision Verdict
