Crowds fell short of registered numbers, but brands and organizers alike see big potential for new trade show model.
A motley sea of flags and brightly colored pop-up tents greeted eager media and retailers on day one of the first-ever Big Gear Show. Park City, Utah’s Wasatch Mountains towered over the Deer Valley parking area that played host to an ersatz trade show floor.
Bacon, burgers, and biscuits wafted tantalizing scents as eager mountain bikers playfully bounced down aisles of shade shelters. Small crowds cheered as media and brand reps tested their hangboard stamina while beside them, public relations directors spidered up a bouldering wall.
Held over three days last week, the Big Gear Show (TBGS) kickoff promised healthy attendance and good cheer, despite a year’s delay and swirling uncertainty over the COVID-19 Delta variant’s impact on the inaugural event.
Lines for the invite-only event’s media, brand, and retailer registration were long, if not altogether impressive. Indeed, according to TBGS organizers, the event welcomed nearly 500 media and retailers, and more than 200 brands.

But that equated to a roughly 70% turnout of all those who initially registered to attend. So that begs the question, was TBGS a success? And will it continue to grow alongside a formidable, but seemingly vulnerable traditional gathering like Outdoor Retailer?
We attended the debut event and spoke with organizers and brands to see and hear what the future could — and should — look like.
The Big (Gear Show) Debut
To be sure, the show we attended was a detour from the show that was initially advertised way back in 2019 (what we now call “the before time”). The pandemic put the planned 2020 debut on ice. And in adjusting to the fallout from COVID, TBGS organizers switched the event from one that would welcome the public to invite-only for industry professionals.
And while that may sound like a direct Outdoor Retailer (OR) competitor, show director Kenji Haroutunian assured us that TBGS is its own animal.
“We aren’t the same platform at all as conventional shows. It’s rare to resist the urge to compare to OR, especially since I’m involved,” Haroutunian told me, referring to his stint as show director for OR. “We’re timed away from June for a reason, and the stories we want to have amplified are ones that fuel participation across categories.”

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