[leadin]The world has changed for pro and amateur videographers alike, with the whirring blades of a drone signifying a new era where photos and film are not limited to a terrestrial view.[/leadin]
The sun is setting over Duluth, Minn., where the world’s largest lake fades from the cityscape to a horizon in the north. My camera, flying at 300 feet from a hill over town, captures the last rays of a January day from a vantage heretofore reserved for helicopters and planes.
For the past two months, I have put the Chroma Camera Drone through a litany of airborne paces for a full review.
It’s sailed in clouds, maneuvered through trees and chairlift towers, and boosted hundreds of feet into the air at the push of a joystick, all while capturing HD video and still photos along its elevated way.
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I have been flying the Chroma without ever looking at the manual or receiving instructions on this particular drone. Flying is simple, and the possibility to crash this is very low from simply taking off and landing. Running into something is the only likely way to crash it.
There are two toggles for flight; one is the vertical movement and spin, and the other is horizontal movement of forward, back, left, right. It has a ‘safe’ mode, which keep controls always directional to the stick on the remote (no matter which way the drone is pointing) — if you make the stick go left, the drone will go left when you are looking at it, etc.
I actually found this confusing at times because I am used to the more traditional flight based on where the drone is pointing. But this is, I’m sure, less confusing out of the box, especially if you have not used a drone before. Safe mode also keeps the drone 10 feet away from the remote control at all times, so you are safe and anyone standing next to you is out of its flight area.
Another mode, the angle mode, allows you to fly the drone like a traditional remote-control vehicle. The controls are based on where the drone is pointed or where the front of it is. This control is nice for gliding the drone past whatever you are shooting and creating a panning shot.